Ancient Egyptian Scarabs Types Making Mythology Religion Exports Khepri RARE NEW For Sale
Ancient Egyptian Scarabs Types Making Mythology Religion Exports Khepri RARE NEW:
Shire Egyptology: Egyptian Scarabs by Richard H. Wilkinson.
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DESCRIPTION: Paperback. Publisher: Shire (2008). Pages: 64. Dimensions: 8¼ x 6 inches; ½ pound. The scarab is the single most abundant artifact to have survived from ancient Egypt and hundreds of thousands, if not millions, were made throughout the course of Egyptian history. Today, scarabs continue to be found on excavations throughout Egypt and thousands reside in museum collections around the world. This volume examines these ubiquitous and important artifacts by first considering the unique biology and behavior of the scarab beetle and its incorporation into Egyptian symbolism, religion and art. The development of the scarab amulet is then considered, and the many types of scarab produced by the Egyptians are surveyed. Two particularly important classes of scarab - the heart scarab and the commemorative scarab - are examined in detail. Finally, the export of Egyptian scarabs and their imitation by the nations around Egypt is examined as a tangible mark of the extent of Egypt's influence in the ancient world and of the importance of the scarab itself.
CONDITION: NEW. New oversized softcover. Shire (2008) 64 pages. Unblemished, unmarked, pristine in every respect. Pages are pristine; clean, crisp, unmarked, unmutilated, tightly bound, unambiguously unread. Satisfaction unconditionally guaranteed. In stock, ready to ship. No disappointments, no excuses. PROMPT SHIPPING! HEAVILY PADDED, DAMAGE-FREE PACKAGING! Meticulous and accurate descriptions! Selling rare and out-of-print ancient history books on-line since 1997. We accept returns for any reason within 14 days! #7224a.
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REVIEW: This volume examines these ubiquitous and important artifacts by first considering the unique biology and behavior of the scarab beetle and its incorporation into Egyptian symbolism, religion and art.
REVIEW: Richard H. Wilkinson is Professor of Egyptian Archaeology at the University of Arizona. He has organized and directed several exhibitions and international conferences on Egyptological topics. Dr. Wilkinson is the author of over a hundred articles and reviews as well as seven previously published books. He also founded and edits the Directory of North American Egyptologists and has served for two terms on the national board of the American Research Center in Egypt, the official Egyptological association of the United States.
REVIEW: Considered the premier introductory reference on the subject.
REVIEW: Wilkinson is the Regents' Professor of Egyptology at the University of Arizona and the Director of the university's Egypt Expedition. He has written numerous books and academic papers and is a well known name in Egyptology.
The contents are as follows:
- A list of illustrations.
- Chronology from the Predynastic to Graeco-Roman periods.
1. The scarab in nature and myth.
2. Scarab development.
3. Types of scarab.
4. Heart scarabs.
5. Commemorative scarabs.
6. Scarabs abroad.
- Further reading.
1. The Scarab in Nature and Myth.
Chapter 1 introduces the scarab to the uninitiated. Over a period of 2000 years from the end of the Old Kingdom, scarab representations were made in a variety of fabrics. The member of the Scarabaeidae family upon which the Egyptian scarab representations is based on the form of dung beetle known as the "roller" due to its practice of rolling dung into their burrows for food or for egg-laying. The second half of the chapter looks at the mythology of the scarab beetle in Egypt, which is based apparently on the rolling of the dung ball which as equated to the movement of the solar orb across the sky. The scarab deity Khepri was one of three major forms of solar deity. Wilkinson goes on to explore the nature of Khepri, the deity who was constantly reborn, just as the sun was reborn each day.
2. Scarab Development.
Wilkinson opens with the intriguing observation that the development of the scarab in Egypt "followed a somewhat slow and unlikely path". He goes on to describe how scarab forms evolved. The earliest were amulets. Amulets date to the Predynastic but most early ovoid scarab forms date from the end of the Old Kingdom. They were first used as seals during the First Intermediate period, by the end of which they were more precisely made, showing a more naturalistic form than in the Old Kingdom. Seals, on the base of the amulet beneath the scarab itself, could be maze-like or representational. Wilkinson discusses mass-production in the Middle Kingdom and the expanding range of seal motifs. Stylistic advances were made in the New Kingdom. The chapter concludes with an excellent overview of some of the problems involved with the dating of scarabs.
3. Types of Scarabs.
This chapter looks at different ways of looking at scarabs. Wilkinson discusses them under the following headings:
- Form and function.
- Materials of construction.
- Back designs.
- Base designs and inscriptions.
4. Heart scarabs.
This chapter looks at the role of the scarab, from around the 13th Dynasty, in the process by which the dead makes the transition into the afterlife. The "weighing of the heart" is a judgment presided over by certain deities and described in the Book of the Dead. The heart is weighed on scales against a feather which represents the truth and justice of the goddess Ma'at. Scarab amulets were placed in the mummy to assist the heart during the judgment. The rest of the chapter discusses the design and manufacture of these scarabs. The number of variants is considerable. As time went by scarabs, particularly in royal mummies, were incorporated into often elaborate pectorals jewelry. They fell out of use by the Greco-Roman period.
5. Commemorative Scarabs.
These are scarabs that were commissioned specially to celebrated specific occasions and which date to the New Kingdom, principally during the reign of Amenhotep III. They are an important source of historical information. Wilkinson gives examples of particular scarabs and classes of commemorative scarab. All consist of scarab amulets with hieroglyphic inscriptions on the bases, some texts quite short, others remarkably long. Wilkinson points out some gaps in knowledge. For example, why only some subjects appear to have been commemorated by Amenhotep III, and why commemorative scarabs do not appear to have been produced after the 11th year of Amenhotep's reign but were resumed under the reign of Amenhotep IV (Akhenaten). Wilkinson highlights the differences between scarabs of Amenhotep III and IV. None are known after the Amarna period.
6. Scarabs Abroad.
Egyptian scarabs are by no means exclusive to Egypt. They are found throughout the Mediterranean. Egyptian items were highly valued through the Mediterranean areas and were widely traded. Scarabs were perhaps valued as magical amulets. As well as originals from Egypt copies were also produced, some of which were true to the originals and many of which had their own distinctive character. Wilkinson looks at Mediterranean scarabs area by area: the southern Levant, the Aegean, Etruria and "other cultures". All have archaeological value. For example, those from the southern Levant have been research with a view to improving an understanding of how the chronologies of Palestine and Egypt relate to each other.
The above chapters are followed by a useful three-page list of further reading, a list of museums to visit (in the UK, Canada, Egypt, France, Germany, Israel, Italy, Netherlands, Switzerland and the US). Finally there is an index.
This is an excellent book. The subject matter is ideal for a publication of this size (64 pages) and leaves the reader with the feeling that a great deal of information has been imparted without the sense that there are any huge gaps. Not that scarabs are a simple topic - they are the subject of important research projects using increasingly complex techniques and they are key to understanding both Egyptian concerns and the way in which Egypt was perceived by and was connected with other cultures. Wilkinson touches on those important issues without become side-tracked by them. His writing is clear and articulate and a pleasure to read.
The text is complemented by illustrations, diagrams and photographs in both black and white and color, all of which illustrate the points made throughout the book. The book is well made and printed on glossy paper which highlights the colored photographs particularly well.
REVIEW: All of the Shire books I have seen have been quite educational and nicely done. This book is in that category although it is for a beginner in collecting or studying scarabs. Very informative.
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ABOUT US: Prior to our retirement we used to travel to Europe and Central Asia several times a year. Most of the items we offer came from acquisitions we made in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) during these years from various institutions and dealers. Much of what we generate on Etsy, Amazon and goes to support The Hermitage Museum in St. Petersburg, as well as some other worthy institutions in Europe and Asia connected with Anthropology and Archaeology. Though we have a collection of ancient coins numbering in the tens of thousands, our primary interests are ancient jewelry and gemstones. Prior to our retirement we traveled to Russia every year seeking antique gemstones and jewelry from one of the globe’s most prolific gemstone producing and cutting centers, the area between Chelyabinsk and Yekaterinburg, Russia. From all corners of Siberia, as well as from India, Ceylon, Burma and Siam, gemstones have for centuries gone to Yekaterinburg where they have been cut and incorporated into the fabulous jewelry for which the Czars and the royal families of Europe were famous for.
My wife grew up and received a university education in the Southern Urals of Russia, just a few hours away from the mountains of Siberia, where alexandrite, diamond, emerald, sapphire, chrysoberyl, topaz, demantoid garnet, and many other rare and precious gemstones are produced. Though perhaps difficult to find in the USA, antique gemstones are commonly unmounted from old, broken settings – the gold reused – the gemstones recut and reset. Before these gorgeous antique gemstones are recut, we try to acquire the best of them in their original, antique, hand-finished state – most of them centuries old. We believe that the work created by these long-gone master artisans is worth protecting and preserving rather than destroying this heritage of antique gemstones by recutting the original work out of existence. That by preserving their work, in a sense, we are preserving their lives and the legacy they left for modern times. Far better to appreciate their craft than to destroy it with modern cutting.
Not everyone agrees – fully 95% or more of the antique gemstones which come into these marketplaces are recut, and the heritage of the past lost. But if you agree with us that the past is worth protecting, and that past lives and the produce of those lives still matters today, consider buying an antique, hand cut, natural gemstone rather than one of the mass-produced machine cut (often synthetic or “lab produced”) gemstones which dominate the market today. We can set most any antique gemstone you purchase from us in your choice of styles and metals ranging from rings to pendants to earrings and bracelets; in sterling silver, 14kt solid gold, and 14kt gold fill. When you purchase from us, you can count on quick shipping and careful, secure packaging. We would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from us. There is a $3 fee for mailing under separate cover. I will always respond to every inquiry whether via email or message, so please feel free to write.